Plan + section + model progress

Plan:

Section:

Possible moving elements - choose two?
Blue - covering/shading element - changes light quality?
Green - circulation element
Red - facade wrap

Diagrammatic models + massing

Models w/out massing
Massing shown in red

Mash-up/theory

Creating the “perfect” space is an impossible, and subjective, balancing act between form and function, particularly when addressing the visual expression of the layering of history within older buildings. Additions should be sensitive yet contemporary insertions into existing settings, with scars from buildings’ former lives retained and contrasted with contemporary interventions. These new structures gain richness from the addition of new layers into the life of existing buildings, and are designed with the future life of the building in mind, to stand the test of time and remain robust. A well-designed space must also be versatile yet appropriate for its main use, and must not dictate to the individual how they should perceive, operate or feel in the building, but have the flexibility to explore and experience it for themselves. Openness to the landscape and a relationship to the outside are also vital, as occupants of the architecture can observe the activity and the natural world outside, and those outside have a glimpse of what’s happening inside. This is welcoming, open, and transparent, separated yet connected, keeping communities together. Overall, the power a building has over a person is limited. It cannot change their personal needs or circumstances, and its uses are always changing, but a deep appreciation of human character and its capacity for transformation—due to fluctuating social and economic forces—allows for an understanding of the integral role of time.

Gander, Kashmira. “How architecture uses space, light and material to affect your mood.” The Independent (April 2016), http://www.independent.co.uk/life-style/design/how-architecture-uses-space-light-and-material-to-affect-your-mood-american-institute-architects-a6985986.html (accessed May 17, 2016).

Marmot, Daniel. “Building on the Built: the Work of Jonathan Tuckey Design.” ArchDaily (May 2016), http://www.archdaily.com/787224/exhibition-review-building-on-the-built-the-work-of-jonathan-tuckey-design-london (accessed May 17, 2016).

Davidge, Tania. “Education design that welcomes you: Michal Cohen.” ArchitectureAU (April 2016), http://architectureau.com/articles/education-design-that-welcomes-you-michal-cohen/ (accessed May 17, 2016).

Two point perspectives

One point perspectives

Final Submission

Axonometrics
Parallel projections
36 custom textures

The two concepts
Eisenman: intersecting planes and created spaces
Van Eyck: sequentiality and porosity

Axonometrics

Parallel projection

Draft model

Textures

Electroliquid aggregation
A light rail stop which aims for technological innovation must do so with the interests and needs of the end clients in mind, as well as the existing infrastructure. A building which integrates and intersects with the surrounds is constructed for both commuters and the general public, creating a sequence of spaces and transport infrastructure that consider how the new can successfully interact with the old.

Final SketchUp

 

Final Lumion

Curvilinear stop detail

With an increase of the use of technology on the go, shaded spaces and seating areas for commuters to attend to their technological needs are key.

The rectilinear stop represents the 'old' - solid, heavy, consistent and formal. However, as technology continues to develop and advance, we can begin to 'open up' new opportunities.

Much like how technology continues to proliferate and expand, the new working with the old, the circulation elements of the light rail stop are viral, the curving forms seeping into the opposing rectilinear ones.

Circulation detail

Lumion files: https://drive.google.com/open?id=0BwbhPB9Vq3guWEphTXNnNGhLeEE

From SketchUp Warehouse:
Wharton Digital Wall Clock LED - Baltus

36 custom textures